Torture Squad, one of the great Brazilian metal bands, releases this Monday, November 10th, ‘Magnum Chaos’, the eighth music video promoting the acclaimed album ‘Devilish’, released in September 2023 by the Italian label Time to Kill.
In this release, a trilogy with the last three tracks of the album, “Gaia”, “A Farewell to Mankind” and “The Last Journey”, the band expresses a plea for help from the planet to humanity.
Recorded and produced by Maycon Roberto Avelino of Starchip Video, the video is released on the same day that Brazil hosts COP30 in Belém, Pará. COP30 is the main annual UN conference on climate change and will take place between November 10th and 21st. The combination of releasing a song that carries the same ideals as a UN conference, about the warning that humanity must heed regarding the care of the planet, seems obvious and perfect for Torture Squad.
The instrumental and acoustic track “Gaia” is the introduction to the trilogy, with images generated by Artificial Intelligence and shocking and realistic information about the deterioration of the planet, with text by António Guterres, Secretary-General of the United Nations.
Regarding the production, drummer Amilcar Christófaro comments:
“The video features a counterpoint of beautiful images, such as the first photo of planet Earth seen from the Moon, the so-called ‘Earthrise,’ taken by astronaut William Anders during the American Apollo 8 mission on December 24, 1968. It also includes images of the four vital elements of life—Earth, Air, Fire, and Water—generated by AI and meticulously chosen by Maycon Avelino and myself. The concept is to show the beautiful side of Earth and what we are losing if we continue to neglect the planet.”
Meanwhile, “A Farewell to Mankind” has lyrics by bassist Castor and harmonies created by vocalist Mayara Puertas. The video features footage captured at the emblematic show that Torture Squad performed in September as the opening act for Sepultura’s farewell tour, ‘Celebrating Life Through Death,’ at Espaço Unimed in São Paulo. The show featured cosplay by Slovakia, in an emblematic performance representing Lilith.
Concluding the trilogy, “The Last Journey” is the final track on the album ‘Devilish’, and the music video features vocalist and composer Mayara Puertas in a captivating piano performance in front of the band, recorded at Dissenso Studio in São Paulo.
Mayara Puertas commented:
“We wrote the album ‘Devilish’ amidst one of the most chaotic governmental periods in our country. The Latin expression ‘Magnum Chaos’ means exactly that: a great chaos. We had Bolsonaro becoming president with a campaign that promised to end environmental oversight, not demarcate any indigenous land, and arm the population. It was natural for us to protest against all of this through our music; it was urgent to bring reflections in defense of the environment and the preservation of indigenous memory and territory. Some people may think we are ‘always harping on the same issues,’ but we have something to say! Art will always be a tool of protest.”
The release of ‘A Magnum Chaos’ in parallel with COP30 reinforces the connection between art and the global debate about the planet’s future, broadening the reach of environmental discourse within Brazilian metal. While world leaders meet in Belém to discuss environmental policies and sustainability goals, Torture Squad transforms sound and image into a manifesto for ecological awareness.
Torture Squad continues to promote their recent album ‘Devilish’, available on digital platforms and in physical format, with national distribution by Sound City Records and Valhall Music.
LISTEN TO THE ALBUM ‘DEVILISH’ HERE
Watch the video for ‘Magnum Chaos’ HERE
Torture Squad is seen by extreme music fans as one of the most visceral and powerful metal bands currently active. With nearly three decades of experience, including excellent live performances at the most important metal festivals in the world, the Brazilian group has gathered legions of fans playing throughout the country, Latin America, and Europe – breaking the record after performing at Wacken Open Air 2025, becoming one of the only Brazilian bands to play four times at the festival.
In their second album with the new lineup, Mayara Puertas (Vocals), Rene Simionato (Guitar), Castor (Bass), and Amilcar Christófaro (Drums) maturely transcend the sound of extreme metal, incorporating progressive metal, influences from Brazilian music, and symphonic elements.
The album also pays homage to Brazilian heroes with the participation of Andreas Kisser (Sepultura) on the track “Buried Alive,” and a tribute to Rickson Gracie, the resilient Jiu-Jitsu fighter considered one of the sport’s greatest legends, the subject of the track “Warrior,” which also became a single featuring singer Leather Leone from Chastain, as well as Alex Nasser on Arabic percussion in “Hell is Coming.”
The band also mobilized several musicians connected to indigenous causes to collaborate on the song “Uatumã” – Suzane Hecate (Miasthenia), Victor Rodrigues (Tribal Scream), and João Luiz (Golpe de Estado) – making an appeal for the preservation of the Amazon in a song that flows powerfully with the words of indigenous leader Raoni Metuktire and tribal rhythms. The band released seven high-production music videos to promote the album: “Hell is Coming,” “Flukeman,” “Warrior,” “Sanctuary,” “Thoth,” “Mabus,” and “Find My Way.”
As a first taste, the band released the first single, titled “Mabus,” accompanied by a lyric video made by Wanderley Perna. ‘Devilish’ was recorded and mixed by Diego Rocha at Bay Area Studios, and mastered by Martin Furia, guitarist of Destruction and famous for working with bands like The Damnnation, Invisible Control, and Eskrota.
